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We would of course encourage anyone buying this to support their local independent shops. Gaston Leroux's The Phantom of the Opera, while lacking in some places, gives all respect and justice to the novel's namesake: Erik himself. We start at the top, but quickly plunge into the Opera's darkest secrets, ending in the third cellar of the Opera at the climax of the book. I love Christine's opera dress and the beautiful new loading screen of her getting lost in a book as she sails to the Phantom's lair in her stunning "Angel of Music" dress. Sometimes he is good, sometimes he isn't, and his backstory is revealed as explaining much of his warped mindset and many of his later wicked actions. As an art and theatre critic for the newspaper Le Matin at an earlier point in his career, he had visited the Nouvel Opéra (opened in 1875 and known today as the Palais Garnier or the Opéra Garnier) many times and was impressed by the building's grandiose and imposing architectural design. About Gaston Leroux. Young ballet dancers fret and gossip about seeing the fabled Opera Ghost. Read critic reviews.

The Phantom Of The Opera Book Review List

During his stay at the circus, Erik becomes an excellent illusionist, magician and ventriloquist with a beautiful singing voice. Publisher: A Wave Blue World. How can the magnitude – the drama – of the theatrical Phantom be replicated on a page? Initially the book was written in French and when it started gaining attention to due Paris Opera fact, it has been made available in other languages, including English version. The chamber opens from below and drops them into a room with a bunch of gunpowder. Footnotes and endnotes.

The Phantom Of The Opera Book Review Books

This was a great gothic horror. While she's a great technical singer, the emotions he will pull out of her will transform her into the all-star singer she was meant to be. The musicality's driving the plot along isn't quite as awkward as I expected, yet awkwardness is there, and common within the musical aspects, and with the musical aspects being so exceedingly prominent in the story structure, you better believe that this film's plotting is often rather problematic. My favorite thing about this story is the visuals. In the movie, Raoul organized a way to catch the Phantom during the play and throughout the movie he is much more heroic and likable than he was in the book. When Christine disappears, he childhood friend (and childhood love interest) Viscount Raoul de Chagny starts hearing rumors about a phantom that possesses the opera and forces the staff and the performers to do his bidding. Much of the novel deals with love - the lack of it, the need for it, and the perversion of it. Erik is there at the party, dressed as the Red Death, but he doesn't make any grand announcement, rather is just kind of there.

The Phantom Of The Opera Book Review Wikipedia

Then we're introduced to Christine, a young singer who grew up very close to her father, a traveling musicians. Mercier is the manager of scenery at the opera house. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. I mean, glowing eyes and a death's head?? Fortunately, most of the passages I had underlined were turned into quotes anyway. In Act II, the heroine travels to her father's grave for no reason other than to sell an extraneous ballad whose tepid greeting-card sentiments (''Wishing You Were Somehow Here Again'') dispel the evening's smoldering mood. He then runs off with Christine in a carriage and is being chased by a mob. Also, in the book when Christine takes off the Phantom's mask while in his lair, he goes kind of crazy, which the movie shows. He is a killer, but one can't help but understand where he's coming from and why he is the way he is.

The Phantom Of The Opera Book Review New York Times

Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Andrew Lloyd Webber may have made the music of the night resound with passion and poignancy, a dark sensuality covering years of insanity inducing loneliness, but the actual written story is woven from a far cheaper fabric. This is such a visual game that even things that are supposed to be ugly are made softer and more aesthetically pleasing, which makes it difficult to portray this story in an accurate manner. That make it difficult to keep a straight face. The book is a classic literature and a bit Broadway musical genre, it is perhaps not bad to say that the book is filled with a lot of suspense and almost an indefinite thought provoking moments that some would find very interesting, when some would find it awkward. Minnie Driver plays Carlotta, who has a bigger role in the movie I would say, then she did in the book. Gaston Leroux starts off his novel with an intriguing claim that everything within the book's pages is an actual account of the tragedy of the Opera Ghost at the Paris Opera. With the exception of ''Music of the Night'' - which seems to express from its author's gut a desperate longing for acceptance - Mr. Lloyd Webber has again written a score so generic that most of the songs could be reordered and redistributed among the characters (indeed, among other Lloyd Webber musicals) without altering the show's story or meaning. Emmy Rossum is superb as Christine and she was only 17 during filming! Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. The panels switch from rectangular to jagged and jarring, incorporating different color schemes and styles to distinguish memories (rendered in a bright, soft glow) from horrific sequences (rendered in chilling sepia tones). The worst in the violence field has to be the illusion-driven "torture chamber" Erik sets up, or the allusion to past violence. The novel was a fairly typical gothic creeper of its day. Like I said, it is one the soundtracks I grew up listening to and loving, and overall, I think the singing is excellent in the movie.

The Phantom Of The Opera Book Review Today

The Phantom, on the other hand, blackmails Christine into accepting his marriage proposal by threatening to kill Raoul and blowing up the opera house while it's full of people. A film like this, on the other, regardless of what the critics say, is what Butler and Schumacher should be gunning more for. Steve Barton, as the Vicomte who lures her from the beast, is an affable professional escort with unconvincingly bright hair. Another quotes says how he is, ".. in certain respects, a regular child, vain and self-conceited, and there is nothing he loves so much, after astonishing people, as to prove all the really miraculous ingenuity of his mind. She keeps his box open and delivers money to his box, however she has no personal connection with him and the only reason she does his bidding at times is because he has promised to advance her daughter in her career. That was different to the film. A solid introduction for budding lovers of the Bard.

The Phantom Of The Opera Book Review Amazon

All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. There are rumors about a phantom living in the opera house who sends threatening letters to the managers. Our editors will review what you've submitted and determine whether to revise the article. Publisher: Blackstone Audio (1909). He helps sultans build trap doors, torture chambers, and other such things. During one of the shows, the prima donna loses her voice, and a grand chandelier crashes on top of audience members. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully.

But, shaking her head, she repeated: "Poor Erik! Overview and Characters. The entire narrative is torpid. This faithful adaption begins as Gaston Leroux's novel does. She promises never to commit suicide, as she had earlier threatened.