Literature From Somerville
Lucy Doll And Penelope Kay Adams
Hill, Peter, The Artist & Her Offspring, The Sydney Morning Herald, 25-26 January 2003, Spectrum pp. 49, Spring 2002, pp. We hope to keep adding lots of new writers (including a few more men) to the list. Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F Johnson Museum of Art Cornell University, Ithaca, USA. Confounding: Contemporary Photography, National Gallery of Victoria, Melbourne, Australia. Alternative Realities tour, Pacific Cultural Centre, Taipei, Taiwan. Brides of Frankenstein, San Jose Museum of Art, San Hose, USA. Lucy doll and penelope kay adams. McDonald, Helen, Nearly Beloved, Patricia Piccinini, Piper Press, 2011. Between the Shadow and the Soul, Helsinki Taidehalli, Helsinki, Finland. A Miracle Constantly Repeating, Flinders St Station Ballroom, Melbourne, Australia. Doll, Nancy, Uneasy Nature, Weatherspoon Art Museum, 2006, pp. Jane O'Sullivan, Beyond the Border, Australian Financial Review, 42430, pp. Matthias Arndt / Rachael Vance, MAD, Arndt Art Agency, 2017, pp. Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no.
Fitzgerald, Michael, Driving out Demons, Time (Pacific), 01-Jul-2003, pp. The Coming World, Garage Museum of Contemporary Art, Moscow, Russia. Hill, Peter, Weird Science, The Sydney Morning Herald, 30 August-5 September 2002, Metro p. 26. Patricia Piccinini: Bodyscape, Yu-Hsiu Museum of Art, Caotun, Taiwan. Brennan, Stella, Border Patrol, In Another Life, 2006, pp. Fujinami, Rieko, Nesting in an Ambiguous World, Dart International, Fall 2007, p. 36. En Kaerlig Verden, Arken Museum, Copenhagen, Denmark. Lucy doll and penelope kay jewelers. Bendigo Art Gallery, Victoria, Australia.
New Media Fellowship, Australia Council. Hulsbosch, Marianne, Cambridge Visual Arts: Stage 4, Cambridge University Press, 2008, pp. Weatherspoon Art Museum, North Carolina, USA. Hackett, Edward, Reflections for Looking Forward,, 44205, pp. Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006, p. 6, 8, 13, 52, 53. Materia Prima, LABoral Centro De Arte, Gijon, Spain. Tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain. Uneasy Nature, Weatherspoon Art Museum, Greensboro, USA. Boundaries Obscured, Haunch of Venison, New York, USA. Therese Gilligan, MC_AC, Loreto Mandeville, 2018, pp. We are Family, toured to Bendigo Art Gallery, Bendigo, Australia. Tolarno Galleries at the Moores Building, Perth Festival, Perth, Australia.
Lucy Doll And Penelope Kay Jewelers
No fear unmingled with hope, Tolarno Galleries, Melbourne, Australia. Momentum 9 Bienale 'Alienation', PunktO Galleri 15, Moss, Norway. Recent Work, Byblos Art Gallery, Verona, Italy. Slade, Lisa, The Thrall of the Skull, Neo Goth: Black is Back, 2008, pp. Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 126. Katrina Strickland, Neither Fish nor Fowl, Weekend Australian Fin Review, 2011, p. 37.
Möet & Chandon Touring Exhibition, Art Gallery of New South Wales, Sydney, Australia. Akihabara TV, Akihabara electrical stores, Tokyo, Japan. Armstrong, Carol, Carol Armstrong on Global Feminisms and WACK!, Artforum International, 00/0606/0707, pp. Living Apart Together, Odapark Venray, Venray, The Netherlands. Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p. 7. Chrudzimska-Uhera, Katarzyna, Niepewna przysztosc Rzezby: Patricia Piccinini, Lamus, 44386, pp. McKenzie, Robyn, Hi-Tech Art Flows into the Mainstream, The Age, 27-Jul-1995, p. 23. Williamson, Clare, Digitalis Australis, History of Photography, no. Israel, Glenis, Essential Art, Jacaranda, 2007, pp.
Ann-Katrin Günzel, Kunstforum international,, 2020, pp 48-49, 61, 86-87. Astrapellou, Marilena, Dear Scooter: Patricia Piccinini's Auto Art, Intersection, Spring 2007, p. 26. de Rooij, Marie Jeanne, Down Under: The Hague Sculpture 07 (exhibition catalogue), Veenman Publishers, 2007, pp. Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018. National Gallery of Victoria, Melbourne, Australia. Swell, Artspace, Sydney, Australia. Ewen McDonald, MCA Collection. Structures of Support, Canberra Museum and Gallery, Canberra, Australia. Linda Hertzman, Bild I Skolan, Swedish Teachers Union, 40909, p. 26-27. 115, January 2003, p. 61. Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. Alternative Realities tour, Tamsui Centre of Arre, Tamsui, Taiwan. Relativity, Art Gallery of Western Australia, Perth, Australia. Alternative Realities tour, Wang Fun Art Gallery, Beijing, China. Benoit Remiche, Hyper-Realism Sculpture ceci n'est pas un corps, Tempora, 2019, pp 178-179.
Lucy Doll And Penelope Kayak
Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, Cover, pp. In 2016 she was awarded a Doctor of Visual and Performing Arts (Honora Causa) from the Victorian College of the Arts and appointed as Enterprise Professor at the Victorian College of the Arts, University of Melbourne. Weird and Wonderful, Museum Folkwang, Essen, Germany. Technothelylogia: Technology for and by Women, Monash University Gallery, Melbourne, Australia. Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp.
Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998. Cycle in Cinema, University of NSW, College of Fine Arts, Sydney, Australia. In 1994 she initiated The Basement Project Gallery in Melbourne, which she coordinated until 1996. Art and Australia, Current: Contemporary Art from Australia and New Zealand, Dott Publishing, 2009, pp. The Exodus of Ordinary, Vivian Gallery, Warkworth, New Zealand. The Earth is Blue like an Orange, The Montreal Museum of Fine Arts, Montreal, Canada. N e w R o m a n c e A r t a n d t h e p o s t h u m a n, Museum of Contemporary Art, Sydney, Australia.
William Myers, BioArt: Altered Realities, Thames & Hudson, 2015, pp. Martain, Tim, Otherworldly Designs, The Mercury Magazine, 39893, p. 2-3. Jean Marie Panazol, TDC (Textes et Documents Pour la Classe), Reseau Canope, 2019, pp. ComSciencia, CCBB Belo Horizonte, Belo Horizonte, Brazil. Haraway, Donna, When Species Meet, University of Minnesota Press, 2008, pp. Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed. ) The Phantasm of International Biennales, Monthly Art Magazine, 44539, p. 116.
Pennings, Mark, Patricia Piccinini: Your Time Starts Now..., Eyeline, Summer 1996, p. 34. Zeitgeössische Fotokunst Aus Australien, Kunstsammlungen, Chemnitz, Germany. Bonheurs des Antipodes, Musée de Picardie, Amiens, France. Sheen, Adelaide Festival, Adelaide, Australia. Barbara Creed, Stray: Human/Animal Ethics in the Anthropocene, Power Publications, 2016. Konrad Marshall, High Flyer - Good Weekend mag, Fairfax press, 2021, Cover, pp. Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018.