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The book was something that Hong was reading at the time and in a spur of the moment decision, decided to add this to the script. We learn how this once happy girl has managed to reach this point through flashbacks and animations. He repeatedly extols her as "remarkable", but his request is simply beyond the pale. In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. The first film of several on this list which fell afoul of the censors at the time. Yong Yong-kyu only produced a handful of films but stakes a claim for producing one of the finest classics of Korean cinema here. May 31-Jun 2: Detroit Institute of the Arts - Detroit, MI. Moonlit Winter (2019). Hotel by the river hong sang soo tumblr facebook. His films are stripped back, removed of artifice, allowing space for the viewer to take their time and appreciate what is being shown before them. This is often considered his magnum opus though, poignant but with flickers of humour. "Hotel by the River" (2018) was the 23rd feature from Hong and the director's sixth film starring his lover Kim.

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Village in the Mist (1983). Bold and sordid, the third list entry for Kim Ki-young sees the master director find another gear on some of the issues unpacked in his Housemaid trilogy. Apr 4: Oklahoma City Museum of Art - Oklahoma City, OK. Apr 4-11: Wisconsin Film Festival - Madison, WI.

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High-Res Stills, Poster and Press Kit. Risqué for the highly censored era of its release, The Seashore Village unpacks female sexuality and the power of women in the second list entry for Kim Soo-yong. They are impotent, messy, deceitful; but it is this humanity and basis in the truth that is the bait that lures the viewer in. Hotel by the river hong sang soo tumblr.com. Showing love as an explosion that can just as rapidly die out. The malicious housemaid format, made most famous by The Housemaid (which, as you may expect, finds itself in the upper echelons of this list), is twisted here to brilliantly portray the paranoia and jealousy of a wife descending into madness. Hong finds a way to balance the warm with the cold, the tender with the pain. Cinematographer Kim Su-min regularly indulges in the zooms familiar from the director's other films and does something interesting with all the male characters here, all seen only from behind, turning them into anonymous nuisances encroaching on the space of the women at the center of the story. Winner of the Prix Un Certain Regard at the 2010 Cannes Film Festival, this is another comical and interwoven Hong puzzle for us to solve.

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This debut feature is a pithy story of fidelity and fulfilment told across four vexed and disillusioned characters – volatile writer Hyosup, housewife Bokyung, germophobic businessman Dongwoo and young cinema ticket taker Minjae. Microhabitat (2017). A film director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Sangok, a former actress, has returned to Seoul from her home in the US to visit her sister. Director Hong Sang-soo not to challenge court's dismissal of divorce suit. The film is deeply watchable whether you are pouring the soju or recovering from its effects. Kilsoo goes to see it in a screening room; there is no clue when she emerges as to what she thought. This is Junhee's cue finally to erupt with the acrimony she has clearly had brewing for the last half-hour. The top grossing film in the country for 1984, its superb cinematography frames everything from the city, to snow-covered mountains, beaches and countryside. Coming in at a trim 76 minutes, Night Journey boasts some dazzling cinematography and is led by an equally eye-catching central performance from Yoon Jeong-hee. Hong's fascination with classical music is clear to see, as his films are laced with them.

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She receives a letter from Jun, but Sae-bom also reads it and discovers her mother's secret past. With her mother immigrating to Canada, Haewon is feeling low and reaches out to Seongjun again after a long hiatus. We witness his rise as a painter and his often hostile behaviour, all taking place during vital events in the history of Korea. Nobody's Daughter Haewon (2013). A superb script and understated performances combine to deliver a charming and humorous take on what a broken heart and too much soju can create. The characters are the same, the situations, locations and even some of the lines are exactly the same. The cinema of Hong Sang Soo. Shin Sang-ok. Before he was kidnapped by North Korea to produce films there, Shin Sang-ok produced some of South Korea's most important cinema. The Surrogate Woman (1987). An angry warning shot about the trappings of capitalism and the relentless pursuit of profit over people, The Age of Success offers a glance at a rapidity modifying Korea in the late 1980s. The Seashore Village (1965). May 12: Korean Film Festival DC - Washington, DC. A truly manic piece of filmmaking, often going in more daring directions than The Housemaid (1960).

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Think about what it means! CLASSICAL COMPOSITION. The first two acts are relatively light and straightforward in tone — naysayers might even say "slight" — and it could be argued that at first sight, Gam-hee, played with gentle aloofness by Kim, doesn't seem to really open up emotionally with either of her friends. Director Hong is also his own writer, producer, editor and composer, but it is clear that he too finds an important collaborative connection with his actors. Funny, heartfelt and often bittersweet, we are assisted here by such a likable group of characters to make us invested in their fortunes. To appreciate and take stock of the world that Hong has constructed over the past decades, let's look at the themes, motifs and techniques that Hong employs most regularly. A bored foursome – No Mark, Bulldozer, Rockstar and Paint decide to storm a gas station. ‘The Novelist’s Film’ Review – Berlin Film Festival –. It is funny, yet tender and effecting. All rights reserved. While waiting for them to arrive, he meets two women (Kim Minhee and Song Seonmi) out walking in the new-fallen snow and is struck by their angelic beauty. Hometown in My Heart (1949). Attack the Gas Station (1999).

What we see is some fun footage of Kilsoo in the park as the seasons change, holding a bunch of wildflowers, giggling at the camera and her nephew behind it as they horse around, playing at making a film. Ja is suffering mental health issues and checks himself into a psychiatric hospital.

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